M’appelle Mohamed Ali

Ring and stage: the same battle

Author: DIEUDONNÉ NIANGOUNA | Directors: PHILIPPE RACINE & TATIANA ZINGA BOTAO 

At the edge of the stage, an African actor gets ready to play the great Muhammad Ali.
American boxing icon and campaigner against racial segregation. In a stunning moment, their struggles intertwine. Hitting hard with the incisive words of the champion. Dazzling with the boxer’s legendary moves. Roaring the resistance of the black theatre actor in the West. And as the fighters box, they dance.

Driven by an actor’s passion, this political work by the Congolese Dieudonné Niangouna links Africa to America through the fists of Ali. The polyphonic piece, directed by Philippe Racine and Tatiana Zinga Botao, offers the recently founded Théâtre de La Sentinelle the opportunity to summon a chorus of voices to join in a shared fight. On an almost bare stage, there are not just one or two rolling with the punches, but eight magnificent actors and one actress—an allusion to the mother’s crucial presence. Nine performers of African descent affirm this oratorio for dignity.
Respect.


A production of Théâtre de La Sentinelle (Montreal), in co-production with the Quat’Sous Theatre and the TransAmériques Festival, and hosted by the THEATRE de la Vieille 17

Written by DIEUDONNÉ NIANGOUNA,
Directed by PHILIPPE RACINE & TATIANA ZINGA BOTAO
Assistant Director and Stage Manager Delphine Rochefort Boulanger
Assistant Director and Stage Manager at Creation Jasmine Kamruzzaman
Set Design MARIE-ÈVE FORTIER
Set DecorationMarie-Eve Fortier
Costumes, Makeup & HairANGE BLÉDJA KOUASSI
Lighting & Technical DirectorVALÉRIE BOURQUE
Sound Design ELENA STOODLEY
Movement Consultant CLAUDIA CHAN TAK
Production Manager & Tour Director MATHILDE BOUDREAU & JULIETTE FARCY
Technical Director at CreationJean Duchesneau
Production Manager at Creation Martin Émond

Performed by Oumy Dembele, Vlad Alexis, Lyndz Dantiste, Martin-David Peters, Franck Sylvestre, Rodley Pitt, Widemir Normile, Philippe RacineLyndz Dantiste.

Length: 75 minutes without intermission 

For ages 16 and above. 

Performance with English surtitles : April 6, 2024, at 3:00 PM
Other performances (no surtitles): April 5 and 6 2024, at 7:30 PM 

 

Photo credit: Yanick Macdonald